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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Writing War ： ウィキペディア英語版 Writing War ''Writing War: Fiction, Gender, & Memory'' is a 1991 text on women authors, war stories, and literary criticism by American professor Lynne Hanley. ==Overview== Hanley's text, which intertwines fiction, memoir, and literary criticism, examines women's war stories. She argues that fiction organizes, shapes, and ultimately creates perception, stating in her introduction that, "our fictions have power, they shape our memories of the past and they create memories of pasts we have never had, of experiences not even remotely like anything that has ever happened to us. And these narratives of exotic experiences may have the most power over us of all, because we can't challenge their authenticity with the evidence of our own senses." She thus begins her text with a critique of Paul Fussell's ''The Great War and Modern Memory'' (1975) as too narrow in its vision of war (focusing primarily on the experiences of male combatants). In contrast, through the juxtaposition of narrative and criticism (in particular, analysis of Virginia Woolf's ''Three Guineas'' and works by Joan Didion and Doris Lessing), Hanley offers portraits of women which she argues will "displace the soldier as the mouthpiece of war () the stories assume that women, children, noncombatants, and the enemy have an experience of war as much worth telling and remembering as is the story of any soldier." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Writing War」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.